This has been a difficult year. You may have been buffeted by anger you didn’t want to feel, and didn’t know how to productively process. Breeding grounds for misinformation—and its even more treacherous sibling, disinformation—have proliferated. AI is coming, supposedly to make our lives easier, but in reality it may just be taking our jobs. Sometimes it has seemed that soullessness has become the order of the day—as if having a soul were simply too much bother.
But as of right now, at least, most movies are made by human beings, and they are still one of the most extraordinary ways for humans to talk to one another. The conversation may seem one-sided. After all, a filmmaker makes the movie, and then you buy the ticket or pay to stream it. But if you care about movies at all, then surely there have been times you’ve gone so deep into a film that you’ve almost taken up residence within it—or, rather, it has taken up residence within you. This is why filmmakers do what they do. Some are deeply invested in capturing the texture of life that surrounds them, so that viewers in California or Iowa or New York will have some sense, say, of what it’s like to be a woman making her way alone in a densely populated, noisy, complicated city like Mumbai. For a filmmaker, even just asking the question, “What do women want?” can yield rich, pleasurable rewards. Asking what women need is even more dangerous. Iranian director Mohammad Rasoulof has risked his life to do so; you can’t put more faith in the art form than that.
Making a film is more of a crapshoot than ever, especially if you’re hoping your work will be watched in theaters, on the big screen, rather than at home on the small one. But sometimes watching movies small is a necessity: unless you live within driving distance of a good art-house theater, some of the best movies of 2024 might not have come to a cinema near you. The 10 titles I share with you here are movies that have helped me…
