Each Monday, our Money team speaks to someone from a different profession to discover what it’s really like. This week, we chat to Aaron Archer from Joseph And The Amazing Technicolor Dreamcoat and Mamma Mia! about life as a West End performer…
There’s no such thing as a starting salary in the performing arts… A job may be an equity contract with a union that sets out minimum salaries depending on the size of the theatre or the amount of work and many other varying factors. Or it could be a privately/commercially financed job, meaning the salary can vary hugely. All equity minimum figures can be found online but it can range between £600-900 roughly a week for an ensemble member in a West End show. Again, this figure can vary below or above this. The principals will earn a higher salary as well as people who cover other roles or have extra responsibilities such as being the dance captain.
You don’t necessarily have a stable income to rely on… Contracts can differ in length from just a few days to a year or more.
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Many performers have another job on the side… to supplement their income, as sometimes you can’t solely rely on the earnings from performing.
People might look down at a cruise ship contract… but these performers are extremely talented and earning money doing the job they love just the same as somebody in a show in the West End, with the cruise ship job paying more than a West End contract sometimes.
A usual week consists of eight shows… but over busy periods extra shows can be added. With most shows being around two and half hours, as well as any additional rehearsals, we are working between 35-40 hours a week with one day off.
It’s very hard to plan ahead... You never know what you’re going to be doing or where you are going to be from one year to the next. I went from working on a cruise as a dancer travelling the world, to then the next year making my West End debut in Mamma Mia.
