Black Twitter will not save us for what’s to come. As the days towards the 2024 presidential election draw near and the rage-filled screams of college students fill the halls of the nation’s most prestigious institutions, the United States finds itself at a crossroads. Will the most powerful country in the world revert back to when Donald Trump won the White House, or will we vote for Joe Biden to maintain his stronghold? This is the question that every American must answer before and on November 5.
If the everyday American (specifically the everyday Black American) was undecided about which candidate to vote for, it only takes one watch of Black Twitter: A People’s History, a three part docuseries based on journalist Jason Parham’s 2021 WIRED article “A People’s History of Black Twitter,” to understand that we must vote for Biden.
The series attempts to archive, document, and chronicle the force that is known as Black Twitter, two words that have been used to characterize Black digital life on the social media platform. It’s a platform that the series will remind you was not created by Black people, but brought into prominence by the attitudes, mannerisms, and behaviors of Black users on Twitter. But despite incessant commentary about how Black people are not a monolith, the docuseries—in its attempt to associate the Black Twitter community with an era that supposedly no longer exists—ultimately treats Black Twitter as such.
Creation is at the core of the series’ story. The words of Amiri Baraka’s “Technology & Ethos” essay are repeated and paraphrased throughout the three-part series in a fashion similar to a mother reading her child’s favorite tall tale before tucking them into bed. The essay opens with the following: “Machines (as Norbert Weiner said) are an extension of their inventor-creators. That is not simple once you think. Machines, the entire technology of the West, is just that, the technology of the West.” Baraka…
